SoulTracks reviews 'Glaciers'
The music man behind much of the signature tones that have come to define The Foreign Exchange (+FE) sound continues his alchemist trick of making instrumental electronic music feel organic for laypeople who swear they don’t care for electronic music. Following a tradition initially established in jazz by artists like Miles Davis and in soul by Stevie Wonder’s experimentations in Songs in the Key of Life (peaking in the woefully underrated In A Square Circle), manipulating electronic music to distill the innate robotic coldness of its confines to cultivate something emotional and resonating is a hard row. Most lean into the coldness, creating music that stretches from the industrial and dystopian to the nihilistic and metallic.

Indie-soul collective Foreign Exchange plays the Cat's Cradle (via The News & Observer)
It seems like only yesterday Phonte Coleman was just a North Carolina rapper/singer, one-third of the up-and-coming hip-hop trio Little Brother. Back then, Coleman was also exchanging music files with an Internet help desk employee and aspiring producer in the Netherlands (Matthijs “Nicolay” Rook), hoping the two could make music together.

Phonte and Nicolay remain focused on The Foreign Exchange (via Creative Loafing)
With their fifth studio album, Tales From the Land of Milk and Honey, The Foreign Exchange has perfected its sophisticated take on R&B, incorporating not only a range of sticky sweet melodies, but also a smattering of nuanced romantic themes like domesticity and compromise. But whatever you do, don't call it ''grown man music.''

You are here: HOME » INTERVIEWS

Potholes In My Blog: Foreign Exchange is the future of the funk

by +FE on August 6, 2009 at 8:58 AM · Comments
In the past six years Nicolay and Phonte have definitely put their stamp on black alternative music. I first heard Nicolay back in 2002 on Little Brother's - 'Whatever You Say' (12″) on a track called "Light It Up". It was hip-hop but soulful made by this relatively unknown Dutch producer unless you were on Okayplayer. Phonte and Nicolay continued sending each other music back and forth over email (thus the name Foreign Exchange) while Nicolay was in the Netherlands. Two years later they released Connected.

Sonically Connected was an extension of what Little Brother had already achieved with The Listening hip-hop-wise combined with musicality of Nicolay. It had a bit of everything in terms of influences and genre; whether it was jazz, soul/R&B, electronic or hip-hop. It was such a cohesive piece of work I almost wish it hadn't been released through BBE, but that's another blog entry. Whether they knew it at the time, Phonte and Nicolay had a definite chemistry between artist and producer that translated into some quality music.

Individually they continued releasing other projects and then returned four years later with the follow up, Leave It All Behind. They went left field, which played into the title of the album. The new album saw Phonte singing over a good majority of the tracks, which didn't resonate with me right away because I prefer Phonte rapping. But after letting the album breathe I began to appreciate the new direction they were going with this record. It was funkier, soulful, down tempo and dare I say adult contemporary R&B. It was a nice change of pace compared to the 'thug in the club' type R&B that gets regular radio airplay. You could definitely see and hear the progression from the first album to Leave It All Behind. Oddly enough, I find myself now playing the second album more than the debut.

After two solid but very different albums, I can comfortably say that Foreign Exchange has no limits. They're making good music that doesn't fit a label or genre. Creatively they're pushing the boundaries of black alternative music. Where urban radio tries to profit on the formulaic, they're creating a new sound scape for what it can be and that's exciting as a listener. Not to mention, that they are doing this as independent artists, which makes the effort that much greater. Collectively they've become quite the music duo; with Phonte on songwriting and vocal arrangements and Nicolay on musical arrangements and production. I could definitely see them executive producing projects in the same vein as Questlove and James Poyser (The Randy Watson Experience) with Al Green's last album, Lay It Down.

I can't wait to hear the new City Lights Vol. 2: Shibuya dropping next month 9/15. The new compilation will feature Carlitta Durand, Zo! and Phonte. We featured the first single "Lose Your Way" from that project if you missed it. If it's anything like their previous releases I won't be disappointed because I know it'll be some honest music. And that's all you can ask for in this day and age. Nicolay is definitely for the children, and the adults, too!

Copyright (c) 2008-2018 Foreign Exchange Music, LLC. All rights reserved.