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in: PAST SHOWS

The Foreign Exchange at Eden's Lounge, Baltimore MD | Mar 5, 2009

by +FE on February 18, 2009 at 10:51 AM · Comments
Thursday, March 5, 2009 at
Eden's Lounge,

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in: PAST SHOWS

The Foreign Exchange at Johnny Brenda's, Philadelphia PA | Mar 9, 2009

by +FE on February 18, 2009 at 10:39 AM · Comments
Monday, March 9, 2009 at
Johnny Brenda's,

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in: PAST SHOWS

The Foreign Exchange at Cat's Cradle, Carrboro NC | Apr 17, 2009

by +FE on February 13, 2009 at 11:03 AM · Comments
Friday, April 17, 2009 at
Cat's Cradle,

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in: PAST SHOWS

The Foreign Exchange at Black Cat, Washington DC | Mar 6, 2009

by +FE on February 10, 2009 at 1:32 PM · Comments
Friday, March 6, 2009 at
Black Cat,

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in: PAST SHOWS

The Foreign Exchange at Highline Ballroom, New York NY | Mar 8, 2009

by +FE on February 7, 2009 at 12:17 PM · Comments
Sunday, March 8, 2009 at
Highline Ballroom,

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in: Reviews

Pitchfork reviews Leave It All Behind

by +FE on February 5, 2009 at 7:53 AM · Comments
The 2004 album Connected by the Foreign Exchange (North Carolina rapper Phonte and Dutch producer Nicolay) was a record of unusual warmth and vibrancy. And yet, one bum line from Phonte still threatens to derail it with every listen-- "Applied for the job of rap nigga/ But I was overqualified." For better or (mostly) worse, this sort of mindset has boxed in just about everything he's done since with Little Brother, his project with rapper Big Pooh. Though obviously in pursuit of commercial adulation and positioning himself as a vanguard of thinking man's hip-hop, Phonte too often casts those who are more successful in simple and condescending terms while offering a one-step solution to all hip-hop's ills-- increased sales of Little Brother records. A slew of missed opportunities and disillusion with the game have resulted in a whole lot of disappointing Phonte projects. But knowing this can't prepare you for just how closely Leave It All Behind hews to its title, as Phonte opts out of hip-hop with a nearly full-on R&B record with exactly two rapped verses. And there's really no way of preparing for how good it actually turned out.

Continue reading Pitchfork reviews Leave It All Behind

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